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<p class="MsoNormal"><span style="font-size:12.0pt;color:black">The <b>Fall 2018 issue</b> of<b>
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<p class="MsoNormal" style="margin-bottom:12.0pt"><b><span style="color:black"> ----------</span></b><o:p></o:p></p>
<p class="MsoNormal" style="margin-bottom:12.0pt"><b><i><span style="font-size:14.0pt;color:#C00000">Slavic Review</span></i></b><b><span style="font-size:14.0pt;color:#C00000">
</span></b><span style="font-size:14.0pt;color:#C00000">▪ <b>Volume 77 Number 3 </b>
</span><o:p></o:p></p>
<p class="MsoNormal"><b><span style="font-size:12.0pt">BEYOND THE IRON CURTAIN, EASTERN EUROPE AND THE GLOBAL COLD WAR</span></b><b><span style="font-size:12.0pt">
</span></b><b><span style="font-size:12.0pt"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b>Introduction<o:p></o:p></b></p>
<p class="MsoNormal"><i>Theodora Dragostinova </i>and<i> Małgorzata Fidelis<o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<span class="MsoHyperlink"><span style="border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.200&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=oyUdC5h%2BVhb5%2Bg0ZI56xmOCDhWHjfbphUpIwqF%2BRzes%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.200" shash="zX4sXGopmhKWwVbYZ5K+BYpHAY1tf9Rvv3AyfpKa8IUGhosjERqlLYvuIvIWMUgr7FbtMyT3vI6bQC14p/N71U28sjffsatsNzjg3bB6jXN8ZB4egkC4VdZvqoIz4hK/qL0xVJw4qBzm7XpsP9XH0WIRgOwJe0cwaY6qQksgj54=">https://doi.org/10.1017/slr.2018.200</a></span></span><span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b>Polish Economists in Nehru’s India: Making Science for the Third World in an Era of De-Stalinization and Decolonization</b><b><span style="mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i>Małgorzata Mazurek<o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<span class="MsoHyperlink"><span style="border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.201&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=BUyJk%2BLwZrSJHZjdt8kkVMCcQ%2BA%2FV4%2FFTpov7arPaLo%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.201" shash="cnDB3wrHGpy4jY1AGuVTNJBMxzoVZQysgeGGrBgNiHSXnVZS8cxgtV/dNN5yaVbxnEjQo8Lezpido09DvB4Ey73bmlRBVdNZoGTbKqonMGXr3RAlx9hhEo0orQ7Rg4XtlpWwDLOUMHOlNGgGXsQWARF7Ttq5E93QoHWpFa6tcbA=">https://doi.org/10.1017/slr.2018.201</a></span></span><span style="color:#595959"><br>
</span>Between 1956–68 economic expertise became Poland’s key export product in the decolonizing world. India, a broker of social science in the Cold War, became a geopolitical gateway for Polish economists’ spread of developmental thinking that revived heterodox
Marxism and peasant studies. In this article, Małgorzata Mazurek investigates epistemic and intellectual effects of Polish – Indian encounters and how they evolved separately from Soviet Third World politics. Mazurek argues that during de-Stalinization and
decolonization, failures and obstacles to planning and land reforms came to be seen as a common ground between eastern Europe and South Asia. This shared perception also revived the historical legacy of central and east European social science, which was internationalized
in new ways both because, and in spite, of the Cold War.<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b>Globalized Socialism, Nationalized Time: Soviet Films, Albanian Subjects, and Chinese Audiences across the Sino-Soviet Split
</b><b><span style="mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i>Elidor Mëhilli <o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<span class="MsoHyperlink"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.202&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=CxbDM1l79%2BplKc%2B6R%2B4TkprbA74zcuqYN9%2BBpc7umYk%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.202" shash="teeYT8xdJG5tbPFCuKBMwBaFh8APA8g2li1G3uNtLkoTlMy43uvBodeOoPkkdzQFFmDUGn4VFBR37N2pC31mno9pEOjnFucj7tQ++r8SLQRJVkjAFsCiXjr6Rd9YWH6iL8KW+Tr0flEpgPmfw/6MddVo+OQE75aF56J4QxrIhEo=">https://doi.org/10.1017/slr.2018.202</a></span><span style="color:#595959"><br>
</span>In the 1950s, films like Sergei Yutkevich’s Velikii voin Albanii Skanderbeg symbolized Albanian-Soviet friendship, which was said to be undying. The Soviets brought their reels and their famous actors to this corner of the Mediterranean, and they also
designed the country’s first film agency, baptized “New Albania.” By the early 1960s, however, the friendship was dead. Albania’s communist regime sided with Mao’s China during the dramatic Sino-Soviet schism. From instruments of friendship, films turned into
weapons in a global battle over the soul of socialism. Unexpectedly, Albanian war films assumed revolutionary meaning—far away from the Balkans—during China’s Cultural Revolution. Recapturing these zigzags, this article shows how globalized socialism interacted
with national imperatives. Bringing about exchange on a cross-continental scale, socialism encouraged constant mental mapping, and it also produced competing temporal frameworks. Going beyond nationalized histories of cinema, the article draws on archival
sources from three countries, including previously classified Albanian materials.<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span lang="PL">The Catholic 1968: Poland, Social Justice, and the Global Cold War</span></b><b><span lang="PL" style="mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i><span lang="PL">Piotr H. Kosicki<o:p></o:p></span></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<u><span style="color:blue;border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.203&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=VWBcDdOcGgp%2BwgtanfYkwkAUTjqhcpxzwm%2FpkYb3P3A%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.203" shash="Pc42Sv9SdFEohmi/aWIWCf8ml3PnLxsS0tTWdiz+DbmAvHjsGHXBvpV+OzM7nYRGTxfF7Cm2vICoBzLjP3EjV54pi7ciZvxex2RQNTkcDznp7cnIwOQJmNM5uq8D0+YuCMcAK9JIqd/8j6ncjwYI864++6weOEkVAc4VhrTn56w=" target="_blank">https://doi.org/10.1017/slr.2018.203</a></span></u><span style="color:#595959"><br>
</span>In the 1960s, the Catholic Church underwent a revolution in the teaching and practice of its faith, known as aggiornamento. Catholics responded by pioneering new forms of agency in world affairs in the Global Sixties. This was a cross-Iron Curtain story,
affecting communist and non-communist countries in Europe, as well as developing countries across the world – a story of transfers and encounters unfolding simultaneously along multiple geographical axes: “East-West,” “North-South,” and “East-South.” The narrative
anchor for this story is the year 1968. This article explores the seminal role of east European Catholics in this story, focusing on Polish Catholic intellectuals as they wrote and rewrote global narratives of political economy and sexual politics. A global
Catholic conversation on international development stalled as sexual politics reinforced Cold War and post-colonial divisions, with the Second and Third Worlds joining forces against First World critics of a new papal teaching on contraception, Humanae Vitae.
Paradoxically, the Soviet Bloc became the prism through which the Catholic Church refracted a new vision of international development for the Third World.<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b>The “Natural Ally” of the “Developing World”: Bulgarian Culture in India and Mexico</b><b><span style="mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i>Theodora Dragostinova<o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<u><span style="color:blue;border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.204&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=Eb3s8jXuNjANCyESDorc5%2BIVgO44d8GqqvuwTUAQvDc%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.204" shash="XVL+tgDSLaI9+Ub7ycJI0e2Ug4+jinBEnqmJZG/4DW3r0rr3oG908/DrXg7RLCH0eLJ/EneEbXy6RoDo/vcl40MPZkuUp0Jpu71oeJTHR5H9twApldwbWm1lyxlpFXXm1tEt3Q2DlkTZF/WlhMP5jcagmbNrnbZzPOEtrRZGPlk=" target="_blank">https://doi.org/10.1017/slr.2018.204</a></span></u><span style="color:#595959"><br>
</span>This article examines Bulgarian cultural relations with India and Mexico in the 1970s to explore the role of cultural diplomacy in the relationship between the Second and the Third Worlds during the Cold War. In 1975, Liudmila Zhivkova, the daughter
of the Bulgarian leader, became the head of the Committee for Culture; under her patronage, Bulgarian officials organized literally hundreds of exhibitions, concerts, academic conferences, book readings, cultural weeks, and visits that involved the three countries
in an intense cultural romance. Even though Bulgaria was known as the “Soviet master satellite,” culture provided a considerable level of independence in Bulgarian dealings with international actors, which often caused Soviet irritation. In the end, by using
culture, in addition to political and economic aid, Bulgaria managed to forge its role as an intermediary between the Second World and the Global South, and to project its notions of development on a global scene.
<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:12.0pt">ARTICLES<br>
<br>
</span></b><b><span style="font-size:12.0pt;mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b>Modernism Romanced: Imaginary Geography in Jerzy Żuławski’s The Lunar Trilogy<o:p></o:p></b></p>
<p class="MsoNormal"><i>Łukasz Wodzyński<o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<span class="MsoHyperlink"><span style="border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.205&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=HTJNm3If%2BRY39a6cNQ5sg8UAxEKpQLwZMI968nq2aok%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.205" shash="CErkeoY9X91ljx3CzswNVHALP8P6x5F5YqoAZ3K99nAwSObCBh7+tjqt4E7ai9jnZO7K33jgJKNbRwwHnTKKHYFbLAv38yH1DOA7vrfM1XhE0O+oU//Pzvga722vS7942M7dqp9hfEJ4blb9BCml5dSyAvbTBlFcWAL0n/uSUl8=">https://doi.org/10.1017/slr.2018.205</a></span></span><br>
The article examines the imaginary geography of Jerzy Żuławski’s The Lunar Trilogy – On the Silver Globe (1903), The Conqueror (1910), and The Old Earth (1911) – focusing on the relationship between the author’s modernist sensibilities and the trilogy’s adoption
of the nascent science fiction genre. While modernism and popular fiction are usually placed on opposite ends of the literary spectrum, the example of Żuławski demonstrates that popular fiction was a valuable tool for modernist authors who sought to overcome
the limits of realist conventions but were reluctant to alienate the mass readership. Drawing inspiration from the broadly-conceived spatial turn in the humanities, the article positions Żuławski and his work within the literary tradition that utilizes the
romance mode (as defined by Northrop Frye, Fredric Jameson, and others) to reflect on modern subject tions with what Max Weber called the “disenchanted world.”<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b>Ivo Andrić: Against National Mythopoesis</b><b><span style="mso-fareast-language:EN-US"><o:p></o:p></span></b></p>
<p class="MsoNormal"><i>Marina Antić<o:p></o:p></i></p>
<p class="MsoNormal" style="mso-margin-bottom-alt:auto;line-height:13.5pt;background:white;vertical-align:baseline">
<u><span style="color:blue;border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.206&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=0h72YjVcywvcKT2cx3pbaQNyOlrqdthVC6TvsqKt9Zg%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.206" shash="UxUpcHkXOX80ZYZB44aNAr8NTj63n5sE8XOV/DaHRd4zNZ2WaDpVKZBW8r01FfXnn1bz/EX8Q36FTzlh9Q4zdlWLN0MNQoNtLkKnpdRfSAOQqwV5j4uh0f9RijKQ1NDbUNqV6PiSgLBkNazGPFUl/KG0oDS+vDpPsyM7+byz7x0=" target="_blank">https://doi.org/10.1017/slr.2018.206</a></span></u><span style="color:#595959"><br>
</span>The national narrative spun around Ivo Andrić has held firm in both academic circles and popular imagination, despite several comprehensive attempts at correcting appropriations of his oeuvre for national narratives. This article critiques nationalist
readings of Andrić by showing how in his most famous novel, The Bridge on the Drina, key passages most often associated with nationalist appropriation speak against rather than for national mythopoesis. Antić does so by re-focusing on the literary rather than
historiographic reading of the novel, which is to say, by analyzing narrative strategies that illuminate Andrić’s resistance to nineteenth-century romantic nationalism. In particular, Antić focuses on the scene of Radisav’s impalement in order to unravel its
many misinterpretations, from those that see in this scene the portrayal of Serbian national victimization and thus a justification for the 1990s genocidal war, to the ones that stay within the fictional text but still overlook ways in which Andrić qualifies
the mythical/epic view of Radisav’s execution. Antić shows instead that Andrić uses this scene, among others in this novel, to disrupt epic narrative models that underwrite much of South Slavic national invention of tradition, and thus challenge rather than
affirm national(istic) models of Bosnian history.<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><b>Why Women Protest: Insights from Ukraine’s EuroMaidan <o:p>
</o:p></b></p>
<p class="MsoNormal"><i>Olena Nikolayenko and Maria DeCasper<o:p></o:p></i></p>
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<u><span style="color:blue;border:none windowtext 1.0pt;padding:0in"><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fdoi.org%2F10.1017%2Fslr.2018.207&data=02%7C01%7C%7Ce1b2f25c70a34a637a2208d63dc5757a%7C9ef9f489e0a04eeb87cc3a526112fd0d%7C1%7C0%7C636764315613654636&sdata=Skcdu5JDzZzbuJK7VqyjS6o23Eitbx4qbW2nh5B%2FyHU%3D&reserved=0" originalsrc="https://doi.org/10.1017/slr.2018.207" shash="Nt+gskwkNqgMCcTvugSqqHNjs/5fljSpsIE9mcdqdS/bIrdBS4xA4rmDD8OAxmyAikN50BYd6Vzenj4fQpfZX00xDj9pKWfDvXTP3Lxvr7deCV0zUWks7hxZDXOOtsUFWnU7Sa9EuEAqE3CcqguszkaN+dqSFuggDE7KLGP3fk8=" target="_blank">https://doi.org/10.1017/slr.2018.207</a></span></u><br>
This article examines why Ukrainian women participated in the 2013–14 anti-government protests, widely known as the EuroMaidan. Based upon in-depth interviews with female protesters, the study uncovers a wide range of motivations for women’s engagement in the
revolution, including dissatisfaction with the government, solidarity with protesters, motherhood, civic duty, and professional service. Political discontent was the most cited reason for protesting. Solidarity with protesters was another major catalyst for
political engagement. In addition, women who were mothers invoked the notion of mothering to provide a rationale for activism. The study contributes to the growing literature on women’s participation in contentious politics in non-democracies.<span style="color:#595959"><o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
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