<html xmlns:v="urn:schemas-microsoft-com:vml" xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:x="urn:schemas-microsoft-com:office:excel" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
{font-family:Wingdings;
panose-1:5 0 0 0 0 0 0 0 0 0;}
@font-face
{font-family:"Cambria Math";
panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
{font-family:Calibri;
panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
{font-family:Consolas;
panose-1:2 11 6 9 2 2 4 3 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
{margin:0in;
margin-bottom:.0001pt;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
h4
{mso-style-priority:9;
mso-style-link:"Heading 4 Char";
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
a:link, span.MsoHyperlink
{mso-style-priority:99;
color:#0563C1;
text-decoration:underline;}
a:visited, span.MsoHyperlinkFollowed
{mso-style-priority:99;
color:#954F72;
text-decoration:underline;}
p.MsoPlainText, li.MsoPlainText, div.MsoPlainText
{mso-style-priority:99;
mso-style-link:"Plain Text Char";
margin:0in;
margin-bottom:.0001pt;
font-size:10.5pt;
font-family:Consolas;}
p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
{mso-style-priority:34;
margin-top:0in;
margin-right:0in;
margin-bottom:0in;
margin-left:.5in;
margin-bottom:.0001pt;
font-size:11.0pt;
font-family:"Calibri",sans-serif;}
span.Heading4Char
{mso-style-name:"Heading 4 Char";
mso-style-priority:9;
mso-style-link:"Heading 4";
font-family:"Times New Roman",serif;
font-weight:bold;}
p.msonormal0, li.msonormal0, div.msonormal0
{mso-style-name:msonormal;
mso-margin-top-alt:auto;
margin-right:0in;
mso-margin-bottom-alt:auto;
margin-left:0in;
font-size:12.0pt;
font-family:"Times New Roman",serif;}
span.PlainTextChar
{mso-style-name:"Plain Text Char";
mso-style-priority:99;
mso-style-link:"Plain Text";
font-family:Consolas;}
span.EmailStyle22
{mso-style-type:personal;
font-family:"Calibri",sans-serif;
color:windowtext;}
span.apple-converted-space
{mso-style-name:apple-converted-space;}
span.show-for-sr
{mso-style-name:show-for-sr;}
span.italic
{mso-style-name:italic;}
span.EmailStyle26
{mso-style-type:personal;
font-family:"Calibri",sans-serif;
color:#1F497D;}
span.EmailStyle27
{mso-style-type:personal-compose;
font-family:"Calibri",sans-serif;
color:windowtext;}
.MsoChpDefault
{mso-style-type:export-only;
font-size:10.0pt;}
@page WordSection1
{size:8.5in 11.0in;
margin:1.0in 1.0in 1.0in 1.0in;}
div.WordSection1
{page:WordSection1;}
/* List Definitions */
@list l0
{mso-list-id:27263874;
mso-list-template-ids:1825474428;}
@list l0:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l0:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l0:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l0:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1
{mso-list-id:278610148;
mso-list-template-ids:994998816;}
@list l1:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l1:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l1:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l1:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2
{mso-list-id:471218888;
mso-list-template-ids:-1887770908;}
@list l2:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l2:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l2:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l2:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3
{mso-list-id:632709760;
mso-list-template-ids:315628902;}
@list l3:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l3:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l3:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l3:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4
{mso-list-id:690759959;
mso-list-template-ids:586964652;}
@list l4:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l4:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l4:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l4:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5
{mso-list-id:735669351;
mso-list-template-ids:-813928776;}
@list l5:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l5:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l5:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l5:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6
{mso-list-id:848716859;
mso-list-template-ids:-616902492;}
@list l6:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l6:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l6:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l6:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7
{mso-list-id:986518132;
mso-list-template-ids:1437645072;}
@list l7:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l7:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l7:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l7:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8
{mso-list-id:1212035314;
mso-list-template-ids:-892171676;}
@list l8:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l8:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l8:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l8:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9
{mso-list-id:1557546125;
mso-list-template-ids:839681786;}
@list l9:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l9:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l9:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l9:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10
{mso-list-id:1924027321;
mso-list-template-ids:1385227844;}
@list l10:level1
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Symbol;}
@list l10:level2
{mso-level-number-format:bullet;
mso-level-text:o;
mso-level-tab-stop:1.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:"Courier New";
mso-bidi-font-family:"Times New Roman";}
@list l10:level3
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:1.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level4
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level5
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:2.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level6
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level7
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:3.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level8
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.0in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
@list l10:level9
{mso-level-number-format:bullet;
mso-level-text:;
mso-level-tab-stop:4.5in;
mso-level-number-position:left;
text-indent:-.25in;
mso-ansi-font-size:10.0pt;
font-family:Wingdings;}
ol
{margin-bottom:0in;}
ul
{margin-bottom:0in;}
--></style><!--[if gte mso 9]><xml>
<o:shapedefaults v:ext="edit" spidmax="1026" />
</xml><![endif]--><!--[if gte mso 9]><xml>
<o:shapelayout v:ext="edit">
<o:idmap v:ext="edit" data="1" />
</o:shapelayout></xml><![endif]-->
</head>
<body lang="EN-US" link="#0563C1" vlink="#954F72">
<div class="WordSection1">
<p class="MsoNormal"><span style="font-size:12.0pt">The <b>Summer 2017 <span style="color:black">
issue of <i>Slavic Review</i></span></b><span style="color:black"> is now available:
</span></span><a href="http://www.cambridge.org/core/journals/slavic-review/latest-issue"><span style="font-size:12.0pt">www.cambridge.org/core/journals/slavic-review/latest-issue</span></a><span style="font-size:12.0pt;color:#1F497D"> </span><span style="font-size:12.0pt;color:black"> <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;color:black"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt">Starting this year,<i> Slavic Review</i> is published by Cambridge University Press and is available online on Cambridge Core.<span style="color:#1F497D"><o:p></o:p></span></span></p>
<p class="MsoPlainText"><b><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black"> <o:p></o:p></span></b></p>
<p class="MsoPlainText"><b><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">MEMBER ACCESS:</span></b><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black"> Current ASEEES regular and student members have access
to <i>Slavic Review</i> on Cambridge Core via the ASEEES member site: <o:p></o:p></span></p>
<p class="MsoPlainText"><a href="https://netforum.avectra.com/eweb/DynamicPage.aspx?Site=ASEEES&WebCode=slavicreview"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif">netforum.avectra.com/eweb/DynamicPage.aspx?Site=ASEEES&WebCode=slavicreview</span></a><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">
Please bookmark this link - member login is required. Once on Cambridge Core, click on “Latest Issue” to read the Summer 2017 issue. Your institution may also provide access to
<i>Slavic Review</i> through its institutional subscription. </span><span style="font-size:12.0pt;font-family:"Calibri",sans-serif">Print copy will be mailed shortly to all regular and student members who did not opt out of print copies.
<o:p></o:p></span></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
<p class="MsoPlainText"><b><i><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">FORTHCOMING
</span></i></b><b><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">SPECIAL ONLINE ISSUE</span></b><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">:
<i>Slavic Review</i> will publish a special online issue on two Critical Forums: “Global Populisms” and “</span><span style="font-size:12.0pt;font-family:"Calibri",sans-serif">Russian Influence in 2016 U.S. Presidential Election</span><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">”
on Cambridge Core in August. See below for the list of articles in the forthcoming online issue.<o:p></o:p></span></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif"><o:p> </o:p></span></p>
<p class="MsoNormal"><b><span style="font-size:12.0pt">CAMBRIDGE CORE</span></b><span style="font-size:12.0pt">: Register for a Cambridge Core account to save searches that automatically add newly published content relevant to your interests, build your own
reading list by bookmarking content for later, and choose which journals you receive alerts from. For a full introduction to Cambridge Core's features please
</span><a href="https://www.cambridge.org/core/services/aop-file-manager/file/57f641b7000ca2530629e0aa"><span style="font-size:12.0pt;color:#1F4E79">download the user guide</span></a><span style="font-size:12.0pt">.
<o:p></o:p></span></p>
<p class="MsoPlainText"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black"><o:p> </o:p></span></p>
<p class="MsoPlainText" style="margin-bottom:12.0pt"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:red">Please contact your institution’s librarian and make sure your library subscribes to
<i>Slavic Review</i> or request a subscription. Subscription info can be found at:
</span><a href="https://www.cambridge.org/core/journals/slavic-review/subscribe"><span style="font-size:12.0pt;font-family:"Calibri",sans-serif">www.cambridge.org/core/journals/slavic-review/subscribe</span></a><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:black">
</span><span style="font-size:12.0pt;font-family:"Calibri",sans-serif;color:red"><o:p></o:p></span></p>
<p class="MsoPlainText" style="margin-bottom:12.0pt"><b><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:black"> ----------</span></b><span style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:black"><o:p></o:p></span></p>
<p class="MsoPlainText"><b><span style="font-size:14.0pt;font-family:"Calibri",sans-serif;color:#C00000">Slavic Review
</span></b><span style="font-size:14.0pt;font-family:"Calibri",sans-serif;color:#C00000">▪
<b>Volume 76 Number 2<o:p></o:p></b></span></p>
<h4 style="background:white;vertical-align:baseline"><span style="font-size:11.0pt;font-family:"Calibri",sans-serif">CRITICAL FORUM: The East European Response to the 2015 Migration Crisis<o:p></o:p></span></h4>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l0 level1 lfo2;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]><b>Introduction: From Comparison to Relationality <br>
</b><i>Zsuzsa Gille</i><b> <br>
</b>DOI: <a href="https://doi.org/10.1017/slr.2017.76" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.76</span></a>
<br>
<br>
<o:p></o:p></p>
<p class="MsoNormal"><b>The Refugee Crisis and the Return of the East-West Divide in Europe</b><b><o:p></o:p></b></p>
<p class="MsoNormal"><i>Ivan Krastev<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l10 level1 lfo4;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.77" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.77</span></a><o:p></o:p></p>
<p class="MsoNormal">Of the many crises that Europe faces today, it is the migration crisis that most profoundly defines the changing nature of European politics. It is also a turning point in central and east European societies’ attitudes to the European Union,
and it signals the return of the east-west divide in Europe. The article argues that what Brussels describes as a lack of solidarity is actually a clash of solidarities: national, ethnic, and religious solidarity chafing against our moral and legal obligations
with respect to the refugees. The east-west divide over migration has its roots in history, demography and the twists of post-communist transition, while at the same time representing an east European version of popular revolt against globalization. The attitude
divide between Europe’s west and east on issues of diversity and migration strongly resembles the divide between the big cosmopolitan capital cities and the countryside within western societies themselves.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Coherent Selves, Viable States: Eastern Europe and the “Migration/Refugee Crisis<o:p></o:p></b></p>
<p class="MsoNormal"><i>Dace Dzenovska<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l6 level1 lfo6;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.78" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.78</span></a><o:p></o:p></p>
<p class="MsoNormal">This essay argues that what is at stake in debates about the difference between eastern and western Europe in the context of migration and asylum politics is the definition of a politically- and ethically-acceptable threshold of “too many,”
which takes on concrete contours in relation to historically-formed understandings of coherent selves and viable polities. The argument derives from placing analysis of the alleged political and ethical failures of eastern Europe alongside those limits of
refugee/migrant intake that are considered politically legitimate and ethically justifiable from the mainstream liberal democratic perspective. The essay proposes that in order to understand the European political landscape in relation to migration, it is
necessary to undertake relational analysis of the different configurations of the Europe-wide tension between inclusion and exclusion, as well as analysis of the modes of power that differentiate between these configurations of inclusion and exclusion on moral
grounds.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>The Unbearable Whiteness of the Polish Plumber and the Hungarian Peacock Dance around “Race”<o:p></o:p></b></p>
<p class="MsoNormal"><i><span lang="HU">József Böröcz</span></i><span lang="HU"> and
<i>Mahua Sarkar</i></span><b><o:p></o:p></b></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l1 level1 lfo8;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.79" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.79</span></a><o:p></o:p></p>
<p class="MsoNormal">This contribution interprets the east-central European post-liberal governments’ recent anti-immigrant, anti-refugee and anti-human-rights hysteria in the context of the increasing dependence of the region’s societies for livelihood on
employment in the western EU, the widespread racialization of east European labor in the western EU, and the refusal of east European political elites and societies at large to consider possible “Left” critiques of the EU. Given those circumstances, and laboring
under related anxieties, post-state-socialist political elites and societies have assumed a fundamentalist-racialist posture. They redirect their repressed anger toward incoming refugees, claim an ahistorical, essential kind of Whiteness and contribute to
rigidifying European discussions of “race.”<o:p></o:p></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b>Beyond East and West: Solidarity Politics and the Absent/Present State in the Balkans</b><o:p></o:p></p>
<p class="MsoNormal"><i>Jessica Greenberg </i>and<i> Ivana Spasić<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l5 level1 lfo10;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.80" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.80</span></a><o:p></o:p></p>
<p class="MsoNormal">In this piece, we develop a more complex picture of the East-West divisions that have characterized much analysis of the region since the crisis began. By examining how differently positioned actors have responded, the migration flows become
a heuristic for other important but less visible processes in post-socialist state formation and Euro-integration. We use the complexity of Serbia’s reception as an empirical ground to create a new analytic framework that moves beyond over-simplified dichotomies.
Doing this allows us to bring seemingly unrelated kinds of political action into the same frame to reveal an emerging trend in citizen and noncitizen political engagement.
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>ARTICLES<o:p></o:p></b></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b>Honored Citizens and the Creation of a Middle Class in Imperial Russia<o:p></o:p></b></p>
<p class="MsoNormal"><i>Alison K. Smith<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l9 level1 lfo12;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.81" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.81</span></a><o:p></o:p></p>
<p class="MsoNormal">In 1832, an imperial manifesto established a new social estate (<i>soslovie</i>) of “honored citizens.” The new status was granted to successful merchants, professionals, and artists, and gave them permanent (and sometimes inherited) privilege.
Honored citizens have been largely forgotten or discounted, both by literary authors of the nineteenth century and by historians. They were, however, a conscious effort on the part of the imperial state to create a middle class in the context of an estate-based
social structure, an effort that followed several decades of previous experimentation and discussion. Thousands of subjects of the Russian Empire took on the new status, to the point that by 1897 honored citizens outnumbered merchants. They understood themselves
as having an honorable place in the social structure, and were understood as a sign of the status of Russian towns. Honored citizen status gave a certain amount of stability to the new middle class, although not every honored citizen prospered. As a social
estate, honored citizens were unique, for they were not unified in opportunity, and because they did not have a collective association—they were individuals in the law. They were, as a result, present and important but paradoxical: while defined by estate
law, they were closer to individual subjects or even citizens than almost anyone else in imperial society. In addition, their lack of a collective voice muted their radical potential, masking them from contemporary and historical view.
<o:p></o:p></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b><span style="mso-fareast-language:AR-SA">“Vladimir Lenin in Smolnyi” by Isaak I. Brodskii: The History of a Twin</span></b><span style="mso-fareast-language:AR-SA"><o:p></o:p></span></p>
<p class="MsoNormal"><i><span style="mso-fareast-language:AR-SA">Andrei Keller<o:p></o:p></span></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l4 level1 lfo14;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.82" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.82</span></a><o:p></o:p></p>
<p class="MsoNormal"><span style="mso-fareast-language:AR-SA">The article presents a biographical reconstruction of the life of the painter
<span style="background:white">Isaak Izrailevich</span> Brodskii (1884–1939) through the lens of his painting “Vladimir Lenin in Smolnyi” (1930). Brodskii (and his work) are shown against the background of the terror of the 1930s, an ideological rupture in
his artistic vision and his attainment of personal success. The diaries of Pavel N. Filonov help us to see Brodskii from an unusual angle. The impulse to write articles was an exhibition of “old art” (“Ars Nobilis”), which was held in the exhibition halls
of Volkswagen in Berlin from October 18–27, 2002. Two portraits of Lenin by Brodksii were displayed there: “Vladimir Lenin in Smolnyi” and “Lenin reading Pravda” (1930) from the private collection of Otto von Mitzlaff.</span><b><o:p></o:p></b></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b>The Oil Deal: Nariman Narimanov and the Sovietization of Azerbaijan
<o:p></o:p></b></p>
<p class="MsoNormal"><i>Sara Brinegar<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l3 level1 lfo16;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.83" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.83</span></a><o:p></o:p></p>
<p class="MsoNormal">This essay, with a focus on Baku, Azerbaijan, demonstrates that the need to secure and hold energy resources—and the infrastructures that support them—was critical to the formation of the Soviet Union. The Azerbaijani statesman Nariman
Narimanov played a pivotal role in the establishment of Soviet power in Azerbaijan by attempting to use Baku’s oil to secure prerogatives for the Azerbaijan SSR. In part, Narimanov gained his position by striking a deal with Vladimir Lenin in 1920, an arrangement
that I am calling the oil deal. This deal lay the foundations of Soviet power in the south Caucasus. Lenin charged Narimanov with facilitating connections between the industrial stronghold of Baku and the rural countryside of Azerbaijan and Narimanov agreed
to do what he could to help supply Soviet Russia with oil. Lenin put Narimanov in charge of the Soviet government of Azerbaijan, with the understanding that he would be granted significant leeway in cultural policies. Understanding the role of the south Caucasus
in Soviet history, then, is also understanding how the extraction and use of oil and other natural resources were entangled with more familiar questions of nationalities policy and identity politics.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>Revolution, Production, Representation: Iurii Rozhkov’s Photomontages to Maiakovskii’s Poem “To the Workers of Kursk”<o:p></o:p></b></p>
<p class="MsoNormal"><i>Aleksandar Bošković<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l7 level1 lfo18;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.84" target="_blank"><span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.84</span></a><o:p></o:p></p>
<p class="MsoNormal">In 1924, the self-taught artist Iurii Nikolaevich Rozhkov created a series of photomontages inspired by Vladimir Maiakovskii’s poem “To the Workers of Kursk” and the geological discovery of the Kursk Magnetic Anamoly (KMA). Rozhkov’s series
for Maiakovskii’s ode to labor is both an example of the political propaganda of the reconstruction period of the NEP era and a polemical answer to all those who relentlessly attacked Maiakovskii and criticized avant-garde art as alien to the masses. The article
introduces Rozhkov’s less-known photomontage series as a new model of the avant-garde photopoetry book, which offers a sequential reading of Maiakovskii's poem and functions as a cinematic dispositive of the early Soviet agitprop apparatus (<i>dispositif</i>).
Bošković argues that the photopoem itself converts into an idiosyncratic avant-garde de-mountable memorial to the working class: a dynamic cine-dispositive through which the early agitprop apparatus is realized in lived experience, reproduced, and transformed,
thus delineating its shift towards the new <i>dispositif</i> of the late 1920s—socialist realism.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>High Modernism in Theory and Practice: Karel Teige and Tomáš Baťa<o:p></o:p></b></p>
<p class="MsoNormal"><i>Jessica Merrill<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l8 level1 lfo20;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.85" target="_blank">
<span style="color:windowtext;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.85</span></a>
<o:p></o:p></p>
<p class="MsoNormal">This article compares Tomáš Bata’s development of Zlín as a company town with the architectural theory of Karel Teige. Despite political differences— Baťa was a champion of “American” capitalism, Teige a leader of the leftist avant-garde—they
had unexpectedly similar ideas about architectural design and city planning. The article uses James C. Scott’s definition of high modernism as a starting point to explain these commonalities, historically contextualizing the two men’s thinking as a specific
iteration of this ideology. Both, for instance, paradoxically sought to incorporate liberal, democratic values (typical of the rhetoric of state building in interwar Czechoslovakia) into their authoritarian plans. This analysis helps explain subsequent, socialist
architectural developments, in which Teige’s theory and Baťa’s practices were combined. In this, the article contributes to an understanding of Czechoslovakia’s post-1948 cultural history not in terms of impositions from Moscow, but as building on native institutions.
<o:p></o:p></p>
<p class="MsoNormal"><b><i><span lang="PL"><o:p> </o:p></span></i></b></p>
<p class="MsoNormal"><b><span lang="PL">Wedded to Welfare? </span></b><b>Working Mothers and the Welfare State in Communist Poland<o:p></o:p></b></p>
<p class="MsoNormal"><i>Piotr Perkowski<o:p></o:p></i></p>
<p class="MsoNormal" style="margin-left:0in;text-indent:-.25in;line-height:13.5pt;mso-list:l2 level1 lfo22;background:white;vertical-align:baseline">
<![if !supportLists]><span style="font-size:10.0pt;font-family:Symbol"><span style="mso-list:Ignore">·<span style="font:7.0pt "Times New Roman"">
</span></span></span><![endif]>DOI: <a href="https://doi.org/10.1017/slr.2017.86" target="_blank"><span style="color:black;border:none windowtext 1.0pt;padding:0in;text-decoration:none">https://doi.org/10.1017/slr.2017.86</span></a>
<o:p></o:p></p>
<p class="MsoNormal">Using Poland as example, the article explores the operation of east European communist welfare states, with particular attention paid to benefits offered to working mothers. By exploring a number of diverse sources, I analyze the evolution
and the meaning of institutional care and maternity leave in the life of professionally-active women. Studying a variety of factors that shaped the welfare policies of the time, including post-war industrialization, consumption, the demographic panic, and
the struggling economy of the twilight years of communism, I attach particular importance to the early 1970s, when Poland saw a particular shift in gender-equality discourse. Welfare benefits played a key role in communists states, serving as a guarantee of
equal opportunities or, in the case of mothers, as a tool for potentially facilitating employment. In time, however, they became chiefly tools designed to control the population and female fertility.<o:p></o:p></p>
<div style="mso-element:para-border-div;border:none;border-bottom:dotted windowtext 3.0pt;padding:0in 0in 1.0pt 0in">
<p class="MsoNormal" style="border:none;padding:0in"><o:p> </o:p></p>
</div>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b><i><span style="font-size:14.0pt;color:#C00000">Forthcoming</span></i></b><b><span style="font-size:14.0pt;color:#C00000">, SPECIAL ONLINE ISSUE</span></b><b><span style="font-size:14.0pt;color:#C00000"><o:p></o:p></span></b></p>
<p class="MsoNormal"><b><i><span style="font-size:12.0pt">Volume 76</span></i></b><b><span style="font-size:12.0pt">, 2017<o:p></o:p></span></b></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal"><b>CRITICAL FORUM: Global Populisms<o:p></o:p></b></p>
<p class="MsoNormal">Introduction<o:p></o:p></p>
<p class="MsoNormal"><i>Anna Grzymala-Busse<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Global Populisms and their Impact<o:p></o:p></p>
<p class="MsoNormal"><i>Anna Grzymala-Busse<o:p></o:p></i></p>
<p class="MsoNormal"><b><o:p> </o:p></b></p>
<p class="MsoNormal">“Neoliberalism is Fascism and Should Be Criminalized”: Bulgarian Populism as Left-Wing Radicalism
<o:p></o:p></p>
<p class="MsoNormal"><i>Venelin I. Ganev<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Taking Far-Right Claims Seriously and Literally: Anthropology and the Study of Right-Wing Radicalism<o:p></o:p></p>
<p class="MsoNormal"><i>Agnieszka Pasieka<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Draining the Swamp: Understanding the Crisis in Mainstream Politics as a Crisis of the State<o:p></o:p></p>
<p class="MsoNormal"><i>Abby Innes<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><b>CRITICAL FORUM: Russian Influence in 2016 U.S. Presidential Election<o:p></o:p></b></p>
<p class="MsoNormal">Introduction<o:p></o:p></p>
<p class="MsoNormal"><i>Harriet Murav<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Trump, Putin, and the Future of U.S.-Russian Relations<o:p></o:p></p>
<p class="MsoNormal"><i>Peter Rutland<o:p></o:p></i></p>
<p class="MsoNormal"><span lang="EN-IE"><o:p> </o:p></span></p>
<p class="MsoNormal"><i>Kompromat</i> Goes Global?: Assessing a Russian Media Tool in the United States<o:p></o:p></p>
<p class="MsoNormal"><i>Sarah Oates<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Red Scares and Orange Mobilizations: A Critical Anthropological Perspective on the Russian Hacking Scandal<o:p></o:p></p>
<p class="MsoNormal"><i>Julie Hemment<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Exclusionary Egalitarianism and the New Cold War<o:p></o:p></p>
<p class="MsoNormal"><i>Brian Porter-Szűcs<o:p></o:p></i></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Association for Slavic, East European, and Eurasian Studies <o:p>
</o:p></p>
<p class="MsoNormal">203C Bellefield Hall | University of Pittsburgh | Pittsburgh, PA 15260-6424 USA<o:p></o:p></p>
<p class="MsoNormal">+1 (412) 648-9911 (main), +1 (412) 648-9815 (fax)<o:p></o:p></p>
<p class="MsoNormal"><b><a href="http://www.aseees.org/convention"><span style="color:blue">ASEEES2017 Chicago</span></a><o:p></o:p></b></p>
<p class="MsoNormal"><a href="http://www.facebook.com/pages/Association-for-Slavic-East-European-and-Eurasian-Studies/141362775903086">Facebook</a> |
<a href="http://twitter.com/#!/aseeestudies">Twitter</a> | <a href="https://aseees.hcommons.org/">
<span style="color:blue">ASEEES Commons</span></a><o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
</body>
</html>